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Mike Foster

Art direction that makes people look twice

Art DirectorLondon, previously LA15+ years
Selected work

Switch off. Game on.

E.ON Next × Big Potato GamesCampaignInfluencerEventE.ON Next × Big Potato GamesCampaignInfluencerEventE.ON Next × Big Potato GamesCampaignInfluencerEventE.ON Next × Big Potato GamesCampaignInfluencerEventE.ON Next × Big Potato GamesCampaignInfluencerEventE.ON Next × Big Potato GamesCampaignInfluencerEvent

So instead of telling customers to change, we partnered with Big Potato Games and made changing the fun option.

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We know why we go

BulkCampaignAI productionFilmBulkCampaignAI productionFilmBulkCampaignAI productionFilmBulkCampaignAI productionFilmBulkCampaignAI productionFilmBulkCampaignAI productionFilm
We know why we go

The point wasn't to cut corners. It was to put every penny of the budget on screen, not on a production crew.

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A Night at the Car Museum

E.ON NextFilmCampaignAI previsE.ON NextFilmCampaignAI previsE.ON NextFilmCampaignAI previsE.ON NextFilmCampaignAI previsE.ON NextFilmCampaignAI previsE.ON NextFilmCampaignAI previs

So instead of lecturing adults, we let their kids do it.

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Power Players

E.ON Next × The FAContent seriesFilmCampaignE.ON Next × The FAContent seriesFilmCampaignE.ON Next × The FAContent seriesFilmCampaignE.ON Next × The FAContent seriesFilmCampaignE.ON Next × The FAContent seriesFilmCampaignE.ON Next × The FAContent seriesFilmCampaign
Power Players

The branding lives in the lighting, not the lower thirds.

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Save the Walruses

Unilever × Cannes LionsAnimationKeynoteUnilever × Cannes LionsAnimationKeynoteUnilever × Cannes LionsAnimationKeynoteUnilever × Cannes LionsAnimationKeynoteUnilever × Cannes LionsAnimationKeynoteUnilever × Cannes LionsAnimationKeynote
Save the Walruses

The illustrations weren't softening the message. They were reframing it.

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Happy and Glorious

England (self-initiated)AI filmSelf-initiatedEngland (self-initiated)AI filmSelf-initiatedEngland (self-initiated)AI filmSelf-initiatedEngland (self-initiated)AI filmSelf-initiatedEngland (self-initiated)AI filmSelf-initiatedEngland (self-initiated)AI filmSelf-initiated
Happy and Glorious

The answer turned out to be 900 years old.

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Projects

14 projectsFilmCampaignsAIMotionIdentity14 projectsFilmCampaignsAIMotionIdentity14 projectsFilmCampaignsAIMotionIdentity14 projectsFilmCampaignsAIMotionIdentity14 projectsFilmCampaignsAIMotionIdentity14 projectsFilmCampaignsAIMotionIdentity

UnileverThe FAE.ON NextStravaVSCOAlo YogaUniversalIlluminationPernod RicardSkittlesLinda McCartney'sNew Covent Garden SoupAberlourTommy JohnBallantine'sChivasThe GlenlivetCurrys PC WorldDixons CarphoneHighland SpringKitchenAidMaldon Sea SaltTetleyPeacockWhirlpoolVanishBig Potato GamesUnileverThe FAE.ON NextStravaVSCOAlo YogaUniversalIlluminationPernod RicardSkittlesLinda McCartney'sNew Covent Garden SoupAberlourTommy JohnBallantine'sChivasThe GlenlivetCurrys PC WorldDixons CarphoneHighland SpringKitchenAidMaldon Sea SaltTetleyPeacockWhirlpoolVanishBig Potato Games

The Lab

AI experimentsSeedanceMidjourneyNano BananaFigma WeaveKlingAI experimentsSeedanceMidjourneyNano BananaFigma WeaveKlingAI experimentsSeedanceMidjourneyNano BananaFigma WeaveKlingAI experimentsSeedanceMidjourneyNano BananaFigma WeaveKlingAI experimentsSeedanceMidjourneyNano BananaFigma WeaveKlingAI experimentsSeedanceMidjourneyNano BananaFigma WeaveKling

Self-initiated experiments in AI-directed film. Move over the frame to see what made it.

Happy and Glorious, final frame Happy and Glorious, Figma Weave storyboard Musashi vs Kojiro, final frame Musashi vs Kojiro, Node workflow We know why we go, final frame We know why we go, Character reference sheets Venum × Cactus Jack, final frame Venum × Cactus Jack, Weavy workflow
01/04   Happy and Glorious / final frame

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